Le 20 novembre 2018 à 06:15
Some of these human guinea pigs were deprived of oxygen to simulate high altitude parachute jumps. The signature on the work, which was attributed to a local modern artist named Terrus, wasn't quite Valentino right. I haven't got a lot new to say, that hasn't already been said today.
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Elvis and other rock and roll musicians were undoubtedly influenced by black innovators, but over time the genre came to be regarded as a cultural product created, perfected by, and only accessible to whites.This is the "messy interaction" Malik breezes over in dismissing the idea of appropriation as theft: A repeating pattern that's recognizable across many different cultural spheres, from fashion and the arts to literature and food.And this pattern is why cultures and people who've suffered the most from appropriation sometimes insist on their traditions being treated like intellectual property it can seem like Valentino Sale the only way to protect themselves and to force members of dominant or oppressive cultures to consider the impact of their actions.What complicates the situation is that those who tend to see appropriation as exchange are often the ones who profit from it.This has lead to accusations of gatekeeping by Malik and others: Who has the right to decide what is appropriation and what isn't? What does true cultural exchange look like? There's no one easy answer to either question.But there are some helpful guidelines: The Australian Council for the Arts developed a set of protocols for working with Indigenous artists that lays out how to approach Aboriginal culture as a respectful guest, who to contact for guidance and permission, and how to proceed with your art if that permission is not granted.